My goal is not to subvert and transform ‘Buricul Pamantului’ into an anti-woke comedic medium. Using erosion tactics only works for left wing activists. Besides, I don’t think we should perpetuate the illusion that the non-progressive dissidents are on a level playing field with the volunteers of the ruling system. When you are a 2nd rate citizen, better watch your language! The goal is to simply exhaust their funnel. Stop the bleeding, clean the wound, lose the scavengers. Only after that has been accomplished we can discuss ‘building back better’. Here are a few tips on achieving that:
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Vithericus
January 9, 2021
As many have pointed out, today’s right wing movements are far from unified or ideologically coherent. The only thing that unites them is their unrelenting opposition to the Social Justice Progressive movement, who despite its internal inconsistencies, seems to have formed a stable structure, claiming numerous victories over the past century. When seeking to define the right
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Vithericus
September 5, 2020
The following text is an excerpt from Curtis Yarvin’s Gray Mirror article titled ‘Persuasion and the Mensheviks’. The substack will soon be turned into a book, ‘The Gray Mirror of the Nihilist Prince’. In this particular chapter, Yarvin embarks on an inverted thought experiment. What if we were to compare our current year status quo with that of tsarist Russia?
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Vithericus
August 13, 2020
In the year of our Lord 2019, John Haugm, one of the founding members of Agalloch and Pillorian (American post-black metal bands), was the victim of an online outrage mob. He had written an appreciative post for a movie about WW2 on Facebook and then in a snarky comment remarked that he expects ‘judenbook’ to censor it. A few journos caught the post; there was an online outrage in the metal review community, condemning the
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I’m running out of horror flicks to see, so last night I was happy to notice one I hadn’t watched on Amazon – ‘Scary Stories to Tell in the Dark’. There was a big warning sign – it was made in 2019. It was also produced by Guillermo del Toro, who despite his past interest in Lovecraft fiction, has been on a downward spiral of cringe and wokeness since… hard to tell.
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