The Deep State vs. The Deep Right (mirror)

Art, if it’s art at all, aims at supreme aesthetic excellence. It does not even deign to notice its audience. If the whole world is inferior to art, art doesn’t give a rat’s ass. Art is not competing with anything but itself, the past, and the future. If it is not sub specie aeternitatis, it is not art.

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A Brief History of Social Justice – by Curtis Yarvin

The following text is an excerpt from Curtis Yarvin’s Gray Mirror article titled ‘Persuasion and the Mensheviks’. The substack will soon be turned into a book, ‘The Gray Mirror of the Nihilist Prince’. In this particular chapter, Yarvin embarks on an inverted thought experiment. What if we were to compare our current year status quo with that of tsarist Russia?

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Successful Influencers and Other Abominations

Along with many other mutations, over the past few years we have witnessed the rise of the Social Media Influencer – a person paid to distribute news from a variety of news aggregators on platforms like Facebook, Twitter and Instagram. Initially perceived as benign, though a bit annoying in their unrelenting posting, their content grew increasingly more political and partisan

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A Song for Deaf Ears in Empty Cathedrals

In the year of our Lord 2019, John Haugm, one of the founding members of Agalloch and Pillorian (American post-black metal bands), was the victim of an online outrage mob. He had written an appreciative post for a movie about WW2 on Facebook and then in a snarky comment remarked that he expects ‘judenbook’ to censor it. A few journos caught the post; there was an online outrage in the metal review community, condemning the

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Annihilation (2018) – Lovecraft meets Nietzsche

I recently watched ‘Annihilation’ on Netflix. I don’t think I exaggerate by calling it one of the best Horror SciFi films of the past 30 years.

Humanity is confronted with the apparition of an alien life force which settles its base inside a lighthouse on the sea shore, from there growing slowly like a cancer that will eventually swallow the entire planet. A paramilitary team is sent to investigate the area (‘the shimmer’). Contact is lost. The only survivor, Kane, returns a year later. He has internal bleeding and seems completely amnesic. A new team is sent to the shimmer, composed of women scientists, including Kane’s wife, Lena (Natalie Portman).

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