The Endless (2018) – Sacred and Profane Time

The film is specifically about timelesness, or the contrast between linear profane time and the cyclical, sacred time of the gods. The protagonists are two brothers, Justin and Aaron, orphaned in childhood when their parents died in a car crash, rescued and raised by the members of the desert cult, Camp Arcadia. Having grown up, they had decided to leave the cult behind, smear it in front of the press and return to wider society. After ten years, realising they still failed to adapt to contemporary society, despite periodic therapy sessions and failed attempts at socialising, Aaron receives a video cassette from Anna, an attractive female member of the cult

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The Torture of Prometheus

In a disertation titled ‘Responses to Modernity: the Political Thought of Five Right-Wing European Thinkers in the Twentieth and Twenty-First Centuries’, Matt Gibson, an academic from the University of Kent, reaches an interesting conclusion: there is no such thing as a unified ‘right-wing ideology’. Those who claimed this in the past relied on guilt by association (the so-called ‘youtube alternative influencer network’ being the most recent smearing attempt), and according to Gibson, could never define that

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